Label: RCA Custom - 640-ES Format: 10x, Vinyl LP, Compilation Box Set Country: Canada Genre: Jazz, Blues, Pop Style: Easy Listening
Retrieved 13 March From Wikipedia, the free encyclopedia. Find sources: June 15, Label: September 24, Formats: The week of December 14, ".
Coming off of the issue as my only copy its clear that theres a lot more punch in the sound, that being the biggest difference. The low end bass is fuller and the sound is still so effortless, really wonderful. Wish You Were here just slams it compared to the new issue by Grundman and its really enjoyable. Whats not as enjoyable are a few details.
I can play the Grundman cut louder overall and whats gained from that soundwise is a bit of the soundstage and most of all the effect sounds. One of my favorite parts of the whole album is in Shine on right when the singing starts. It goes "remember when you were young That laugh used to send chills down my spine, mostly because of how real and in the room it felt.
But its not as effective in the original. I feel similarly about the opening to Welcome to the Machine and Wish You Were here with their sound effects. This is just on first listen, Ill be going back to the issue next time and see if it sound underwhelming now or still holds up.
Despite it all Im happy to have both the oldest and newest releases and maybe some day Ill find a sound that strikes the middle between the two or change my mind on them completely. On second inspection I notice a few other things, mainly about the EQ and Soundstaging again.
The UK original is somewhat more low end favored which is probably what gives it its smoother and more bass filled sound. The BG is higher end favored and I feel reflects a slightly more realistic reproduction, even with less bass. Its probably what made me feel like the effects were less in the room on the UK as they become slightly less present and real.
Now what I mean by soundstaging is the way in which instruments are placed. BGs work on this Pink Floyd series has been a very neutral and balanced approach.
As with the EQ, the soundstaging is less deep, but then instead more present, and you hear some instruments buried in the mix of the original more so hear. Is that good however? Sometimes emphasis is more important than making everything heard at all times. Perhaps cymbals become more annoying than effect full after a while. Its very dependent on the listener. With the progress made here I have to say that I again favor the Reissue over the original and vice versa for certain things.
But given the cost and effort required to find a clean original the reissue might just edge it out here. Equipment Used: Reply Notify me Helpful. The first UK press which was good apart from noise on the right channel throughout the quiet introduction to Part 1. I heard John Peel play this new release on the radio and that had exactly the same fault so the BBC were unlucky too.
Some years later I bought another copy in York which turned out to be an Electrola release with a UK sticker over the German barcode. Then I bought this release expecting it to be good.
I am amazed it was an Optimal pressing. Just unlucky again I suppose. I put this copy right up there with the original, if not better. Welcome to the machine has a whole sonically mix to it that I love. ManticoreMantra July 22, Report. Second copy is good - very fine sounding repress with very little surface noise. First one had an annoying crackle at the start of side A but Amazon replaced it. Great sounding record. Flat pressing, almost no surface noise, even in the quiet moments. Hot ". Retrieved December 11, Why lots of radio stations go all-Christmas in December".
Chicago Tribune. Retrieved 8 February The week of December 10, ". Retrieved 13 March The week of December 22, ". The week of December 21, ". The week of January 10, ". The week of December 12, ". The week of December 9, ". The week of December 8, ".
The week of December 14, ". The week of December 13, ". The week of December 28, ". The week of December 16, ". The week of January 9, ". The week of December 24, ". The week of January 3, ".
Dean Martin. Live from Las Vegas Forever Cool. The Essential Dean Martin. Retrieved from " https: Discographies of American artists Pop music discographies. Hidden categories: Articles needing additional references from March All articles needing additional references Wikipedia articles with style issues from March All articles with style issues Use mdy dates from September All articles with unsourced statements Articles with unsourced statements from March Namespaces Article Talk.
October 11, Label: As Billboard changed its policy for Christmas albums in , this album was ineligible for the main pop chart. However, on the seasonal Christmas chart, the album reached No. November 7, Label: May 2, Label: The album contains a stripped down band arrangement with less emphasis placed on vocal choruses and orchestration. August 15, Label: December 17, Label: August 7, Label: August 25, Label: January 18, Label: May 29, Label: December 14, Label: October 20, Label: Recorded in November , the album was withheld for four years.
June 15, Label: Warner Bros. Records Formats: Is My Home. March 27, Label: Bianco Records Formats: CD, digital download Note: Recorded live on February 8, , in Las Vegas. April 26, Label: Capitol Records Formats: June 7, Label: Only seven songs from the show were originally issued as part of a special "platinum edition" of Dino: The complete concert was released in its entirety on the box set, Collected Cool. Capitol Records Starline Series Formats: Non-album singles compilation spanning — Reprise Records Formats: LP Notes: When the title song became a smash hit, Reprise assembled this LP from B-sides and previously released album cuts recorded between February and April
John Howard (4) - Can You Hear Me OK? (CD, Album), Agnus - A Mannella - Messa Nostrale In Sermano (Vinyl, Album), The U.N. Plan - Shafiq Husayn - Shafiq En A-Free-Ka (CD, Album), Its Legal - Blatant Yobs - Step Aside (Vinyl, LP, Album)