Label: TV Records - PTVL 1 Format: Vinyl LP, Compilation Country: UK Genre: Rock, Funk / Soul, Pop
No matter which method you choose, since many important records in your collection may be no longer in print or even available on CD, you can use this method to preserve recordings in case your turntable malfunctions or the records become damaged, warped, or otherwise unplayable. Share Pin Email. Robert Silva has written about audio, video, and home theater topics since Updated October 21, Here is how to use a standalone CD recorder for making copies of vinyl records.
CD Recorder Availability: CD recorders are getting rare, but there are still several brands and models available. Use The Right Discs: Disc compatibility information should be provided in the CD recorder user manual.
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Treat your 45s with extra care — in these beautiful Japanese-style polyclear sleeves — with resealable flaps! The polyclear bag is great — much clearer than regular plastic, and more durable too — and the special flap has its own adhesive, so you can seal things up and keep Beer drinking music from late 60s Brazil — recorded live in a beer hall! Brazil LP, Vinyl record album. One of the tightest albums ever from A Certain Ratio — a set that has them drawing on their 70s funk inspirations even more than before — and really finding a way to focus the soulful side of their talents!
In a way, the sound here is a bit like that taken by Gang Of Four over the Rock read more LP, Vinyl record album Limited edition yellow vinyl — with download! A pivotal album for post-punk legends A Certain Ratio — done at a time when the group was really putting a lot of funk and soul into their style — learning to play their instruments a bit more like the soul artists who inspired them, and acting less like the punk musicians they first Rock read more LP, Vinyl record album Limited edition yellow vinyl pressing — with download!
Quite possibly the funkiest album ever by the groundbreaking British group A Certain Ratio — filled with lots of heavy post-disco bass and percussion, all rattling away with the energy of some of the best work on Ze Records a the time!
Rock read more CD. Rock read more LP, Vinyl record album Limited edition orange vinyl pressing — with download! The music is listed as "spontaneous Jazz read more CD.
Soul CD Out of print. Rock CD Sticker over barcode. Please note the disc itself has some fogging and light marks from the plastic inner sleeve.
An essential roots album! Reggae read more LP, Vinyl record album On red vinyl! Global Grooves read more LP, Vinyl record album.
A brilliant mix of jazz and world music! Abdul-Malik was the legendary bass player from the fifties who mixed straight jazz playing with traditional Middle Eastern rhythms — and although he most famously recorded albums with Monk as a regular bassist, his albums on his own are amazing Jazz read more LP, Vinyl record album. Vintage work from this overlooked group from the New York scene of the 80s — an all-star lineup that features Ahmed Abdullah on trumpet, Marion Brown on alto sax, Billy Bang on violin, Sirone and Fred Hopkins on bass, and Andrew Cyrille on drums!
Despite these efforts, the 45 succeeded only in replacing the 78 as the format for singles. This series was labeled AP-1 through about AP, pressed on grainless red vinyl. Today AP-1 through AP-5 are very scarce. By very tightly packing the fine groove, a playing time of 17 minutes per side was achieved. Reel-to-reel magnetic tape recorders posed a new challenge to the LP in the s, but the higher cost of pre-recorded tapes was one of several factors that confined tape to a niche market.
Cartridge and cassette tapes were more convenient and less expensive than reel-to-reel tapes, and they became popular for use in automobiles beginning in the mids. However, the LP was not seriously challenged as the primary medium for listening to recorded music at home until the s, when the audio quality of the cassette was greatly improved by better tape formulations and noise-reduction systems.
By , cassettes were outselling LPs in the US. The Compact Disc CD was introduced in It offered a recording that was, theoretically, completely noiseless and not audibly degraded by repeated playing or slight scuffs and scratches. At first, the much higher prices of CDs and CD players limited their target market to affluent early adopters and audiophiles. But prices came down, and by CDs outsold LPs.
The CD became the top-selling format, over cassettes, in Along with phonograph records in other formats, some of which were made of other materials, LPs are now widely referred to simply as " vinyl ".
Since the late s there has been a renewed interest in vinyl . When initially introduced, inch LPs played for a maximum of 45 minutes, divided over two sides, with inch versions carrying a maximum of 35 minutes again over two sides. Soundtracks could no longer fit onto the mere 5 minutes per side that 78s offered. They were not an immediate success, however, as they were released during the height of the Great Depression, and seemed frivolous to the many impoverished of the time.
Owing to marketing attitudes at the time, the inch format was reserved solely for higher-priced classical recordings and Broadway shows. Popular music appeared only on inch records. Executives believed classical music fans would be eager to hear a Beethoven symphony or a Mozart concerto without having to flip over multiple, four-minute-per-side 78s, and that pop music fans, who were used to listening to one song at a time, would find the shorter time of the inch LP sufficient.
Their beliefs were wrong. Ten-inch records reappeared as Mini-LPs in the late s and early s in the United States and Australia as a marketing alternative. In , Columbia Records introduced "extended-play" LPs that played for as long as 52 minutes, or 26 minutes per side.
The minute playing time remained rare, however, because of mastering limitations, and most LPs continued to be issued with a to minute playing time. A small number of albums exceeded the minute limit. But these records had to be cut with much narrower spacing between the grooves, which allowed for a smaller dynamic range on the records, and meant that playing the record with a worn needle could damage the record.
It also resulted in a much quieter sound. Spoken word and comedy albums require a smaller dynamic range compared to musical records. Therefore, they can be cut with narrower spaces between the grooves. At around 14 minutes per side for inch and 23 minutes per side for inch, LPs provided a satisfactory time to enjoy a recording before needing to change or turn over a disc.
Turntables called record changers could play records stacked vertically on a spindle. This arrangement encouraged the production of multiple-record sets in automatic sequence. Then the stack was flipped over. Larger boxed sets used appropriate automatic sequencing 1—8, 2—7, 3—6, 4—5 to allow continuous playback, but this created difficulties when searching for an individual track.
Vinyl records are vulnerable to dust, heat warping, scuffs, and scratches.
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