Label: Prestige - 0081.106 Format: 2x, Vinyl LP, Compilation, Reissue, Remastered Country: Germany Genre: Jazz Style: Post Bop, Cool Jazz
Electronic Folk International. Jazz Latin New Age. Aggressive Bittersweet Druggy. Energetic Happy Hypnotic. Romantic Sad Sentimental. Sexy Trippy All Moods. Drinking Hanging Out In Love. Introspection Late Night Partying. Rainy Day Relaxation Road Trip. Romantic Evening Sex All Themes. Features Interviews Lists. Streams Videos All Posts. Christian Steiner. Formed Genre Jazz.
Styles Cool Third Stream Bop. Modern Jazz Quartet . Savoy Jazz. Modern Jazz Quartet, Vol. Sonny Rollins with the Modern Jazz Quartet. Original Jazz Classics. No Sun in Venice. One Never Knows. The Modern Jazz Quartet. Wounded Bird. Odds Against Tomorrow. Blue Note. Dedicated to Connie. European Concert, Vol. The Modern Jazz Quartet and Orchestra. United Artists Records. Third Stream Music. At the Opera House. At that time in nightclubs, people were talking about hanging out.
Suddenly, they knew we were up there and realized the conversation was louder than the music. We were four instruments going along horizontally, contrapuntally. There was no backup and soloist, the concept was changing. In January , they returned to Birdland, and on the last night of that engagement, Clarke announced that he was quitting the band. There was a change in the music, but it was early when Kenny left so it was easy to handle and adjust to.
If we had to make the change later, it would have been a disaster. We had to give up a lot of pieces we played when Kenny left. We were still looking for a direction. The group members had come to have various responsibilities besides playing their instruments: Lewis was the musical director, Jackson handled public relations, Heath managed the finances, and Kay organized the accommodation and transportation.
In , the Modern Jazz Quartet moved to Atlantic Records , which was switching from singles to LPs and began focusing on jazz under the guidance of Nesuhi Ertegun , who signed the group to the company and worked with them as a producer. In that year, they recorded the album Fontessa and had their first formal collaboration with an invited guest, clarinetist Jimmy Giuffre , recorded as The Modern Jazz Quartet at Music Inn.
Lewis, who produced these albums, recalled: In they recorded the last studio albums before their hiatus, In Memoriam with an orchestra and Blues on Bach , both of which were released the next year. Jackson on quitting the group . In July , Jackson quit the group, later citing frustration with their finances as his primary reason. Jackson had previously used the downtime to play and record music that was not in the style of the Modern Jazz Quartet, but felt saddled in the group after they also began playing at summer jazz festivals in or Rushmore ".
A 40th Anniversary Celebration recorded —, released Percy Heath had become tired of touring by and the group permanently disbanded in that year after a final recording date. The Modern Jazz Quartet played in a cool jazz style that combined bebop and the blues with classical elements.
Young bands customarily performed in concert and at festivals, often in tailored suits. Composition was as widely vaunted for small ensembles as improvisation, and flawless intonation was considered vital. Such traditional jazz devices as polyphony , riffs , breaks , boogie bass, mutes , and fugal counterpoint , as well as a repertory that ranges over the entire history of the music, were everywhere apparent.
You could say that the Modern Jazz quartet now resided in a world at least partially of its own making. The Modern Jazz Quartet earned a variety of honors, including the first NAACP award for cultural contributions in the field of music in , top billing on numerous jazz magazine polls, and honorary doctorates from Berklee College. From Wikipedia, the free encyclopedia. It was nothing personal. To see other people making so much more money than we would ever see, that was a disappointment to me.
I thought this group would make as much money as any group in jazz, or in music for that matter, because of what we stood for in the musical profession. Visions of Jazz: The First Century. New York: Oxford University Press. American Visions. The New York Times. Retrieved November 11, Jazz Discography Project. The Jazz Standards: A Guide to the Repertoire. New York City:
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